Tag Archives: directors

InspiraTO Festival seeks directors (deadline to apply: Jan 24)

The 12th annual InspiraTO Festival of 10-minute plays runs June 1 – 10, 2017 at Alumnae Theatre in Toronto.  inspirato-2017-imageThis year’s theme is “Grow Up” – although choosing not to grow up means bringing a sense of child-like wonder into our art and life.
16 directors have already been selected for the Festival; 8 plays still require directors.

A Test of Mettle by Steven R Bond. 2 Males. Why do we attach such value to objects from our childhood? A confrontation that goes off- course. Eerie.

 

So Lovely Here On Earth by Mary Portser. 1 Female/ 1 Male. When a college dropout applies for a mission to Mars, she meets resistance from an unlikely source. Ironic.

 

A Complete Set by Jenny Lyn Bader. 2 Females/1 Male. Four chairs sit discarded on a sidewalk. Could they complete an ideal table and harmonious future grown-up life? An imaginative interpretation about trust, aspirations, and the perils of abandoned furniture.

Mother and Daughter by Scott Carter Cooper. 2 Female. A mother is looking forward to building an adult relationship with her daughter, while the daughter has other ideas about what it means to be a grown up.

The Chinese Life Force by Michael McGoldrick. 2 Male. Two old college friends catch up over a friendly game of Scrabble, but ancient rivalries come to the fore. A tale about today’s “man” and the many ways he’s compelled to compete.

Twirling by Karen Loseff Lothan. 1 Female/1 Male. Wisdom can come from the strangest of places. A six year old teaches her father a lesson that warms the soul and opens up the heart.

Grindrd by J. Joseph Cox. 2 Male/ 1 Female. Two teenagers, bent on being treated as grown-ups, discover a jaw-dropping secret that makes them second-guess their own preparedness for being adults. A funny tale about the vagary of sexuality.

Immortals by Noah Habenstreit. 3 Male/ 1 Female. A play about three beings who are able to live forever. One day they find out that’s about to change. The pacing and rhythm of the dialogue is impeccable.

 

Want to direct one?  Here’s what you do – please note that the deadline to submit is Jan. 24, 2017:

  • Read the scripts at :http://www.theatreinspirato.ca/participate/call-for-actors-and-directors
  • Decide which play(s) you’d like to direct. Put them in order of preference. If selected you will only direct one play.
  • Email: inspirato@ca.inter.net. In the subject line write: Direct A Play.  Answer the following questions:

    – your name, phone number and email address
    – Your experience/training/background in directing/performance arts (you may attach a resume if you wish)
    – Your availability (times during the week you are available for auditions and rehearsals)
    AND for each play you would like to direct:
    1) State the name of the play
    2) What interests you about the play
    3) Your approach to directing.

 

NOTICE TO ACTORS: Auditions will be posted in February and take place in March.

 

InspiraTO is a non-union, non-paying event.

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New Ideas Festival 2017: Call for Directors

Never-before-produced short scripts have been submitted, and 15 selected for Alumnae Theatre Company’s New Ideas Festival in March.  new-ideas-2017-imageNow it’s time for interested directors to apply!  Once you’ve submitted your application (and the deadline is next Friday, Oct 14), you’ll be given access to read the scripts.

Here’s the official notice:

CALL FOR DIRECTORS

Alumnae Theatre Company invites non-union directors to apply to direct one of the 15 plays (running time 10 to 40 minutes) for New Ideas Festival (NIF) 2017, our 29th annual three-week juried festival of new plays, works-in-progress, and experimental theatre to be held from March 8 to 26, 2017.

 

Important dates:

  • Oct. 14, 2016: Deadline to apply to direct one of the New Ideas Festival plays
  • Nov. 5, 2016: (MANDATORY) Creative Exchange: directors meet playwrights
  • 6, 7, 8, or 9, 2016: (MANDATORY) Attend your play’s cold reading on one of these dates
  • Jan 4-8, 2017: (MANDATORY) Attend Festival auditions according to casting needs
  • , Jan. 30, 2017: Rehearsals begin
  • March 8 – Sun. March 26, 2017: New Ideas Festival. Each show runs one week.

 

NIF provides the following:

  • Stage managers, technical crew, and front of house staff
  • Festival auditions presenting a large pool of actors
  • Rehearsal space, performance space
  • Promotional materials and publicity
  • Access to Alumnae Theatre’s wardrobe, props, and sets
  • A collaborative process with the playwright to continue developing a new work with actors and a dramaturge (if requested)
  • A supportive place for directors to experiment and hone their skills
  • Production guidelines and mentorship that get all the plays and dozens of performers successfully from audition to rehearsal to stage.

 

New Ideas Festival does not pay fees, royalties, or a box office share to participants.

Alumnae Theatre Company retains creative discretion over the festival as a whole. The focus of the festival is script development, so technical requirements for the plays are kept to a minimum. NIF is an exciting opportunity to work one-on-one with a playwright to develop a new work.

 

If you are interested in directing a play in the New Ideas Festival, email newideasfestival@gmail.com by Oct 14, 2016.  Please make the subject line “Director Application (your name)” and provide a directing CV or paragraph description of your experience. You will receive further details once you have submitted your application.

 

As our industry has far fewer female directors, women directors are especially encouraged to apply.

Alumnae Theatre Company ▪ 70 Berkeley Street ▪ Toronto, ON ▪ M5A 2W6

http://www.alumnaetheatre.com

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Write Now! is coming Oct 23… Stay tuned.

Write Now! is coming!  The annual challenge spearheaded by Alumnae Theatre Company’s New Play Development group (NPD) sees company members take on a weekend project: to write a 10-minute play based on a subject or prompt that they only receive on the Friday evening.  The finished scripts must be electronically submitted by noon on the Sunday.

A week later, the plays (having been assigned directors and actors) are presented as free staged readings before an audience.

This year, the challenge/subject/prompt will be revealed to participating writers  on Oct 14, and they must  turn in their scripts by Oct 16.

The *free* readings will be in the Studio on Sunday, October 23 beginning at 2 p.m.

Stay tuned!

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Directors Call for FireWorks 2016

The last production of Alumnae Theatre Company’s  2015/16 season, August: Osage County, winds up its  run tomorrow.   FireWorks 2016 imageAnd already plans are underway for the 2016/17 season:  the scripts have been selected for FireWorks series in November, and now it’s time for directors to apply!  Deadline is April 27 – read on.

 

FireWorks, born in 2013, is Alumnae Theatre Company’s annual festival of new full-length plays which were developed at Alumnae – either through the company’s New Play Development group of playwrights (the NPD) or having received dramaturgy in Alumnae’s New Ideas Festival.  FireWorks is a collaborative process where playwrights and directors work in partnership throughout the design, audition, and rehearsal stages.

 

 Deadline for director submissions:  April 27, 2016

Director interviews: May 16, 18, 19

Auditions: September 6-10, 2016

FireWorks 2016 production dates: November 9 – 27, 2016

 Interested directors – please send your resume and a note of which play or plays you wish to apply for to:

fireworksATC@gmail.com with subject line FW16 call for directors. Those selected for interviews will be provided with the link to the scripts and asked to prepare a detailed proposal.

 

There are 3 plays in this year’s lineup – here are the details:

 The Creases in My Sari by Sindhuri Nandhakumar

Mahesh and her mother Rani are Tamil refugees who have been living in Toronto since Mahesh was a child – she has no memory of Sri Lanka, is thoroughly westernized. She meets Chanaka, a Sinhalese post-doc student, here to complete his studies. They fall in love, plan to marry despite the conflict between Tamils and Sinhalese in their native land. Praveen, a Tamil, is a lifelong friend of Mahesh – she regards him as a brother.

 

None of these young people is political – initially. But Praveen becomes increasingly radicalized as the increasing violence in Sri Lanka affects them all. Rani learns of Chanaka’s military family, and it would appear the marriage is impossible. But Rani has her own story of guilt and lost love. Praveen, by now committed to violence, goes to Sri Lanka on a mission, where his fate is unknown. Mahesh and Chanaka recognize the dire implications of the extremism around them, and that their love is too important to them to give up.

A moving, often funny tale, full of vivid, nuanced characters with a timely, powerful story.  The immigrant experience of the Sri Lankan in Toronto, in all its variety and contradictions – “What’s the real capital of Sri Lanka?  Scarborough” – is explored with humour and sensitivity.  An earlier version of this play was presented as a staged reading in New Ideas Festival 2015.

Characters:  3m, 2f, all Sri Lankan. Multiple settings

 

Inked Heart by D.J. Sylvis

Everybody has secrets.

Ed’s a gifted tattoo artist who runs a successful parlour. He also has aspirations of being a successful painter, and is busy preparing for an upcoming show in a local gallery. He puts on a brave face and tells no one that his marriage is disintegrating.

Josie, his smart-mouth goth-girl apprentice, has dreams of her own: to be a tattoo artist in her own right.  But Ed limits her to looking after the shop and the equipment, rarely lets her wield the needle, and refuses to give her a tattoo himself. Their relationship is spiky – it only emerges slowly how much they care about each other.

Bette, a customer whom Josie calls “hippie grandma”, has her own agenda. Turns out she is a grandma – Josie’s – and after hanging around the parlour on the pretext of acquiring an elaborate tattoo, Bette finally comes clean to Josie, hoping thereby to reconnect with her alienated daughter, Josie’s mother. The gallery curator, Angela, is deeply invested in the success of Ed’s show. She bolsters his confidence and offers sympathy and support as his marriage crumbles, all the while battling her own demons. And then there’s Guy, the drunken frat boy who’s won a tattoo on a bet.  He lurches and stumbles through the events that surround him, with little understanding of what’s going on, and no interest in anything outside himself.

Snappy dialogue, irresistibly engaging characters, a plot full of surprises, slapstick humour, and some surprising insights into the complexities of human nature – and the art of the tattoo. An earlier (and shorter) version of this play – then titled An Inked Heart – was presented in New Ideas Festival 2010.

Characters:  2m, 3f. One major set – the tattoo parlour. One minor set – the art gallery

 

Motherland by Kristine Greenaway

Davit (late 20s) is a young Armenian, striving to make a living in his economically depressed country. Genuinely talented as a musician, he earns a precarious living with a string of small jobs – radio jingle-writer, voice-over artist, singer-songwriter, usher. He lives with his mother, Ana, and he longs for financial independence, and freedom to be a man.

Ana (50s) his mother, is charming, witty, intelligent. She is also terrified of being left alone. Though she was once a librarian, she lost her job some time ago and has never taken another one. Now she never leaves the apartment. The relationship with her son is close, teasing, affectionate. But when he finds love and the prospect of making it on his own, she becomes increasingly desperate to keep him with her.

Line (early 20s) is an extremely competent project manager at a film bureau. Colourful, free-spirited and ambitious, she is impressed by Davit’s talent, and wants to manage his career as an actor-musician. She’s working for a renowned German film director who would almost certainly cast Davit. The future looks bright – romantically and professionally. The problem is that he’d have to leave Armenia.

The battle lines are drawn: Ana vs. Line for Davit. The battlefield: the cramped apartment that Ana and Davit share. Ana knows his vulnerabilities and plays on them skillfully, invoking history, tradition, Line’s sketchy past, her own desperate fear, and of course, guilt. The action reaches a climax that is both horrific and inevitable.

Arman (25) is Line’s friend, who allows them to use his apartment to be together. He’s gay, perceptive, sardonic. Also observing the action is Haroun, an aspiring television producer and Davit’s confidant.

A powerful story, with vivid, complex characters against a background of struggle between tradition and progress. Full of music, traditional and contemporary.   This play was developed through Alumnae Theatre Company’s NPD group.

Characters:  3m, 2f. Set:  Ana’s apartment, and a space where Davit works and plays – offices, bars, etc.

 

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Deadline Extended: Director applications for 2016/17 season

The deadline for non-union directors who wish to apply to direct in Alumnae Theatre Company’s 2016/17 has been extended to 9am on February 24.

 

To recap, the plays are:

THIS by Melissa James Gibson

September 16 – October 1, 2016

 

The Gut Girls by Sarah Daniels

(retrospective choice, first presented in Alumnae’s 1997/98 season)

January 20 – February 4, 2017

 

The Clean House by Sarah Ruhl

April 7 – 22, 2017

 

Interviews will be scheduled in early March (exact dates TBC) in downtown Toronto (venue TBC).

Reading copies of the plays are available at the Performing Arts Desk in Toronto Reference Library, 5th floor or through the committee at theorytheplay@gmail.com.

 

To apply: Please send your CV and a brief (max. 6 sentence) letter that summarizes both your directing experience and your interest in one of the programmed plays to Program Committee Chair Joanne Williams at theorytheplay@gmail.com no later than February 24 at 9am. **SUBJECT LINE of e-mail must include your name and the play title you are interested in pitching to direct.**   Previous experience with Alumnae is not required.

 

Directors selected for an interview will be asked to prepare a proposal outlining your ideas for a full production. (A template detailing what the proposal should include will be provided.) A written version of your proposal will be due 48 hours before your scheduled interview.

 

Please note that Alumnae Theatre Company is a non-union organization (volunteer-run and non-profit), and this is a non-paying engagement. Due to budget constraints we cannot afford to hire Equity or ACTRA members .   Non-union directors of all levels of experience are encouraged to apply, as are those from diverse cultures and backgrounds.

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Call for Directors for 2016/17 season

Alumnae logoCalling experienced non-union directors! Alumnae Theatre Company invites you to submit a proposal to direct one of these three plays in our 2016/17 season:

 THIS by Melissa James Gibson

September 16 – October 1, 2016

The Gut Girls by Sarah Daniels

(retrospective choice, first presented in Alumnae’s 1997/98 season)

January 20 – February 4, 2017

 

The Clean House by Sarah Ruhl

April 7 – 22, 2017

 

Application deadline is Thursday, Feb 11, but early submissions are encouraged!

Interviews will be scheduled between Feb 16 – 25 (actual dates TBA) at Alumnae Theatre (70 Berkeley St., Toronto).

Reading copies of the plays are available at the Performing Arts Desk in Toronto Reference Library, 5th floor.

 

To apply: Please send your CV and a brief (max. 6 sentence) letter that summarizes both your directing experience and your interest in one of the programmed plays to Program Committee Chair Joanne Williams at theorytheplay@gmail.com no later than February 11 at 11:59pm.

*SUBJECT LINE of e-mail must include your name and the play title you are interested in pitching to direct.*

Previous experience with Alumnae is not required.

 

Directors selected for an interview will be asked to prepare a proposal outlining your ideas for a full production. (A template detailing what the proposal should include will be provided.) Your written proposal will be due no later than February 14.

 

Please note that Alumnae Theatre Company is a non-union house (volunteer-run and non-profit), and this is a non-paying engagement. We love our Equity and ACTRA friends, but have no budget to pay your fees!

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New Ideas Festival – Call for Directors

The script submission deadline was SaturdNew Ideas 2016 imageay, so now… Calling non-union directors! Apply to direct any one of the 15 short (10 – 40 mins) plays in the upcoming New Ideas Festival (NIF) 2016. It’s Alumnae Theatre Company’s 28th annual juried festival of new plays, works-in-progress, and experimental theatre, running March 9 – 27, 2016.

 

Important dates:

  • Oct. 5, 2015: Deadline to apply to direct one of the New Ideas Festival plays.
  • Nov. 14, 2015: (MANDATORY) Creative Exchange: directors meet playwrights.
  • Dec 8, 9, 10, or 11, 2015: (MANDATORY) Attend your play’s cold reading on one of these dates.
  • Jan 6-10, 2016: (MANDATORY) Attend Festival auditions according to casting needs.
  • Feb 1, 2016: Rehearsals begin.
  • March 9 – Sun. March 27, 2016: New Ideas Festival. Each show runs one week. Staged readings have one performance on a Saturday at noon.

 NIF provides the following:

  • Stage managers, technical crew, and front of house staff
  • Festival auditions presenting a large pool of actors
  • Rehearsal space, performance space
  • Promotional materials and publicity
  • Access to Alumnae Theatre’s wardrobe, props, and sets
  • A collaborative process with the playwright to continue developing a new work with actors and a dramaturge (if requested)
  • A supportive place for directors to experiment and hone their skills
  • Production guidelines and mentorship that get all the plays and dozens of performers successfully from audition to rehearsal to stage.

New Ideas Festival does not pay fees, royalties, or a box office share to participants. Alumnae Theatre Company retains creative discretion over the festival as a whole. The focus of the festival is script development, so technical requirements for the plays are kept to a minimum. NIF is an exciting opportunity to work one-on-one with a playwright to develop a new work.

If you are interested in directing a play in the New Ideas Festival, email newideasfestival@gmail.com by Oct 5, 2015. Please make the subject line “Director Application (your name)” and provide a directing CV or paragraph description of your experience. You will receive further details once you have submitted your application.

As our industry has far fewer female directors, women directors are especially encouraged to apply.

For more info on New Ideas, please visit http://www.alumnaetheatre.com/new-ideas-festival.html

The lineup will be listed once plays are selected and programmed.

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Filed under 2015/16 season, New Ideas Festival