Tag Archives: The Clean House

Artist Profile: Ali Joy Richardson, Director

Ali Joy Richardson and Laura Jabalee Johnston (plus lighting designer Steph Raposo) went straight from working on Sarah Ruhl’s dark-ish comedy The Clean House (closed April 22) for Alumnae Theatre Company to this new project: Sophia Fabiilli’s delightful modern farce, Liars At A Funeral.     Running to May 14 at St. Vladimir Theatre  (620 Spadina Ave., Toronto).

https://truthnliestheatre.com/

 

inthegreenroom

Interview by Hallie Seline

We’re all about hard-working #bossbabes being at the helm of the theatre we see, so it was such a joy to catch up with Ali Joy Richardson to discuss her latest directing project, Liars at a Funeral, why her directing mentors have been instrumental in assembling her own director’s utility belt, and the top three pieces of advice she’s living by right now. 

HS: Tell me a bit about your current directing project, Liars at a Funeral, and what caught your interest when deciding to direct it.

Ali Joy Richardson:Liars at a Funeral is set in a funeral home in Northern Ontario where a grandmother has faked her own death in order to get her family back together for Christmas. It’s a farce: 4 doors, 5 actors playing 9 characters, and a family curse of female twins who hate one another…but without the stale sexism…

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Lynn Himmelman’s ‘Laughing Workshop’, April 20 (a pre-show event re: “The Clean House”

Sarah Ruhl’s play The Clean House addresses the topics of love, betrayal, and loss; and shows – as one review put it – “the funny world of love and relationships”.  One of the themes running through the play is laughter: the character of reluctant housecleaner Matilde (Marina Moreira) is an aspiring comedian, constantly trying to come up with the perfect joke.

Producer Laura Jabalee Johnston and assistant director Nevada Banks got ‘laughter coach’ Lynn Himmelman to do a one-hour session for The Clean House audience, pre-show on Thursday evening (April 20).

Lynn, who said she used to be an opera singer, shared with the group an incident showing how laughter helped her overcome the loss of her father.  She had everyone do exercises like the Knee Slapper, laughing while pretending to read a credit card bill, and laughing continuously for 60 seconds.

Several people commented on the unexpected workout that laughing gave their ab muscles, and one was heard to mutter, “No more sit-ups, ever again!”

At the end of the session, one participant remarked that “Everyone seems better-looking now!”

Lynn agreed:  “Everyone’s light is shining.”

 

Teresa Bottaro, Alumnae Theatre Company’s Director of Marketing, shot some video of Lynn leading the group in the Knee Slapper exercise.

And I bet the ‘Laughter’ workshop was the reason that this audience had the most vocal response to The Clean House that I’ve seen during the show’s run.

Check out Lynn Himmelman’s website for more info: http://lynn.sites.toronto.com/

The last two performances of The Clean House are at 8pm on Friday, April 21 and Saturday, April 22.

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Crazy LOL love & the power of the perfect joke in the quirky, poignant, hilarious The Clean House

Review of The Clean House, running to Sat April 22.
Tickets are 2-for-1 on Wed April 19; $20 Thu – Sat.
http://www.alumnaetheatre.com/ticket-info.html

life with more cowbell

Annemieke Wade, Neil Silcox, Andrea Irwin, Lilia Leon & Marina Moreira in The Clean House—photo by Bruce Peters

 

Love isn’t clean… It’s dirty. Like a good joke.

Alumnae Theatre Company closes its 2016-17 season with Sarah Ruhl’s The Clean House, directed by Ali Joy Richardson, assisted by Nevada Banks; currently running on the Mainstage.

Still in mourning over her parents’ unusual and unexpected death, Matilde (Marina Moreira) moves from Brazil to Connecticut, where she becomes a live-in maid to doctors Lane (Andrea Irwin) and Charles (Neil Silcox). Thing is, she hates cleaning; it makes her sad. An aspiring comedian, and the child of two very funny people, she’s striving for the perfect joke. Things lighten up for Matilde when Lane’s older sister Virginia (Annemieke Wade) makes an odd request: she wants to clean her sister’s house. Virginia loves to clean and needs something to do, and Matilde…

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Report on “The Clean House” Talkback, April 9

Virginia (to Charles): “Oh, you found your bashert!” Lane: “How do you know about bashert?’ Virginia: “I heard it on public radio.” (Annemieke Wade as Virginia; Neil Silcox as Charles; Andrea Irwin as Lane; Lilia Leon as Ana [the bashert]; Marina Moreira as Matilde). Photo: Bruce Peters

Usually the Talkbacks for Alumnae Theatre Company productions are held on the second Sunday of the run, but because next week is Easter, the Talkback for The Clean House was on the first Sunday – April 9.  Director Ali Joy Richardson and producer Laura Jabalee Johnston could not be there, but the lively discussion was ably steered by assistant director Nevada Banks.  About half of the matinee audience (on a gorgeous spring afternoon) stuck around to ask the cast some questions.

 

Q:           Has this play been staged in Toronto before?         

A (Annemieke Wade, who plays Virginia):   Yes, CanStage did it about 8 years ago.  [bloggergal’s note:  It was February 2008 – see https://www.thestar.com/entertainment/stage/2008/02/10/inside_the_clean_house.html and https://nowtoronto.com/stage/theatre/house-lets-us-off-easy/]   Fiona Reid played my role, and Seana McKenna played Lane.

 

Q:           Could you please translate the first joke – the rather lengthy one – that Matilde tells in Portuguese?

A (Marina Moreira, who plays Matilde):  A man who’s never had sex is about to get married.  He goes to his doctor for advice…

[bloggergal’s note: Marina did translate the entire joke, but I’m not going to attempt to reproduce it in print!]

 

Q:           Is there a difference between the Portuguese that’s spoken in Brazil, and the Portuguese spoken in Portugal?

A (Marina):   Yes, just like there’s a difference between the Spanish spoken in Mexico and Argentina and Spain.  It’s a different dialect and vocabulary.

 

Question from Nevada to the cast:  What were the challenges or benefits of working with [playwright] Sarah Ruhl’s strangely specific stage directions?

A (Neil Silcox, who plays Charles):  They were specific as to the “feel”, but left room for interpretation by the director and the actors. For example, one of my stage directions is “Charles makes a noise like a wounded animal.”

A (Marina):  My favourite is “Lane and Virginia have a primal moment.”!

A (Annemieke):   In the script, Ruhl gives the option of using surtitles to translate the Portuguese and Spanish dialogue that Matilde and Ana speak, but we decided that the actors’ performances were so good, we didn’t need projections – their intentions could speak for themselves.

A (Lilia Leon, who plays Ana):  Ali [director Ali Joy Richardson] worked a lot with us on the rhythm and music of the language.

 

Q:           Loved the set design!

A (Neil):  The set design is by Orly Zebak.  She used many, many coats of white paint on the floor – it used to be black!

 

Q (to Nevada):    How did you feel about the stage directions?

A (Nevada):  Sarah Ruhl uses exciting language both in the dialogue and in the stage directions.  It was a gift, not a hindrance.  And the cast picked it up so well.

A (Andrea Irwin, who plays Lane):  For anyone who likes to read plays, and even if you don’t usually, I highly recommend reading this one!

A (Marina):  You can really see Ruhl’s background as a poet in the language.

A (Neil):  There are worlds of possibility in the stage directions, which Ali and Nevada helped us to hone and become more specific.  Specificity is everything in acting!

 

Q:           Is the playwright bilingual?

A (Marina):  No, she’s not.  I think she worked with a translator, or maybe a bilingual actor on the first production.

 

Q (to Neil):          What was it like being the only male in the cast?

A (Neil): It was grrreat!  Actually, the whole production team is women.  The sound designer [Nicholas Potter] and I are the only men.

 

Q:           How did this play come about?

A (Annemieke):   Sarah Ruhl was at a party, and overheard someone talking about her husband having an affair.  And she was at another party, and overheard someone mention that her cleaning lady was depressed and wouldn’t clean, so she was medicating her!

A (Nevada):  Sarah Ruhl’s father died of cancer, but he used the healing power of laughter to help with the pain.

 

Q:           It was a privilege watching your work today.  Are you similar to your characters?

A (Lilia):   A close friend said he saw a lot of me in Ana, but I think she is braver than I am.  I tried to bring boldness into the character.

 

Lane (Andrea Irwin) and her sister Virginia (Annemieke Wade) argue in The Clean House.  Photo:  Bruce Peters

Q:           What’s it like playing sisters?

A (Andrea):  I don’t have a sister, only two brothers.  But Mieke and I are two years apart, just like Lane and Virginia, and our birthdays are within a week of each other.

A (Annemieke):  I can relate to Virginia’s wanting to do something with her life, because I have a sister who might have been a philosopher, if depression had not had its way with her.

 

Q:           Marina, your character is very subtle, but you seem to be quite commanding!

A (Marina):  Thank you!

 

Q:           Whose story is this? 

A (Marina):   It’s everyone’s story – it’s an ensemble.

The cast of The Clean House: Marina Moreira (Matilde), Lilia Leon (Ana), Neil Silcox (Charles), Andrea Irwin (Lane), Annemieke Wade (Virginia). Photo: Bruce Peters

 

Q:           Yes, but who takes the greatest journey?   *** SPOILER ALERT!  STOP READING NOW IF YOU HAVEN’T SEEN THE SHOW! ***

A (Marina, pointing to Lilia):  Well, she dies!

A (Neil):  I go to Alaska!

A (Andrea):  Charles and Lane?

 

Q:           The characters all had funny moments, but you could see the poignancy and intimacy underneath.

A (Nevada):  Thank you.

 

Q:           What was the last line of the play?  I didn’t quite hear it.
A (Marina):  “I think maybe heaven is a sea of untranslatable jokes.  Only everyone is laughing.”

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The Clean House runs to April 22, with performances Wed – Sat at 8pm; Sun matinee (April 16) at 2pm.  2-for-1 Wed; $20 Thu/Fri/Sat; PWYC Sun.  Purchase tickets online at http://www.alumnaetheatre.com/tickets.html, OR make a reservation (416-364-4170, Box 1  / reservations@alumnaetheatre.com) and pay cash at the door.  PWYC matinee tickets not sold online; no reservations taken for Sundays

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Q&A with Marina Moreira, star of “The Clean House”

Here’s a short Q&A with Toronto-based actor Marina Moreira, who delivers a delightful bilingual (Portugese/English) performance as reluctant house-cleaner Matilde in Sarah Ruhl‘s The Clean House, directed by Ali Joy Richardson.  Ruhl’s play, opening Friday at Alumnae Theatre Company, tells the story of Matilde, an aspiring comedian who moves from Brazil to Connecticut after the unexpected death of her parents to clean the house of two married doctors. It’s soon apparent that she gets swept up in more than just dust bunnies. Moreira, who is Portuguese Canadian, gives us some insight as to what it’s been like to play Matilde.

Q: What has your experience has been like performing in a bilingual play as a bilingual actor?

A: So exciting! I grew up speaking both English and Portuguese, the transition between the two is so natural for me, but I never get to do that on stage. I’m excited because I get to play a character who is connected to my life not only in experience or personality, but also in language. Also, I’m excited that my parents get to come see the show and have a connection to what I do (even though they will likely poke fun at me for being so excited).

Q: What has it been like exploring a character whose cultural background aligns in some ways with your own?

A: Familiar? I don’t know how to explain it. It feels comfortable to speak the language and tell the jokes and not imagine that there is a gap between myself and the character I am playing. I guess seamless is a better word for it.

Q: Is there anything that particularly interests you about the character Matilde?

A: I love her deadpan nature. She is written as a character who is observant and not afraid to share her observations with others. She is much bolder than I am.
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Marina and the rest of the cast clean up April 7 – 22!  Performances Wednesday – Saturday at 8pm; Sundays at 2pm. Tickets: 2-for-1 Wed; $20 Thu – Sat; PWYC Sun.

Purchase Wed – Sat* tickets online (www.alumnaetheatre.com), or reserve seats via phone (416-364-4170 Box 1) or email (reservations@alumnaetheatre.com) and pay cash at the door.  Please note that Box Office does not accept credit or debit cards for in-person sales.    *Sunday matinee tickets not available online.

 

Post-show talkback: Sunday, April 9 following 2pm show

FREE Pre-show event “Laughter Yoga”: Thursday, April 20 at 6:45pm.  See https://www.facebook.com/events/285150885243312/ for more info.

Follow us on Twitter: @AlumnaeTheatre #CleanHouseTO

 

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First stumble-through for “The Clean House”, March 21

Bloggergal was a little late arriving, and missed the first few minutes of the stumble-through for The Clean House.  ‘Stumble-through’ is theatre parlance for an early run of the play that is expected to be rough.  In many cases, as with this one, the set is not finished; there is minimal tech (essential music cues were provided courtesy of director Ali Joy Richardson’s laptop; and she read out the content of lines that will be projected on the backdrop) or props; and actors are not completely off-book (there were a few calls for “Line!”, which stage manager Lizz Armstrong provided).

Virginia (Annemieke Wade – standing) tries to comfort her sister Lane (Andrea Irwin) in rehearsal shot from “The Clean House”.
Photo: Laura Jabalee Johnston

The other team members in the audience were Assistant Director Nevada Banks, props designer Helen Monroe, set designer Orly Zebak, lighting designer Steph Raposo, set construction assistant Lucy McPhee, sound designer Nick Potter, and producer Laura Jabalee Johnston.

Bloggergal spent much of Act I (which Lizz estimates will run about 50 minutes) noting funny dialogue exchanges – like these, between Matilde (Marina Moreira), an aspiring comedian from Brazil, currently working as a housekeeper in Connecticut.  She is speaking with her employer’s sister, Virginia (Annemieke Wade):

MATILDE (confessing):    I don’t like to clean so much.

VIRGINIA:            I like cleaning.

MATILDE:            Why?

……..

MATILDE:            Do you want to hear a joke?

VIRGINIA:            Not really.

MATILDE:            Why not?

VIRGINIA:            I don’t like to laugh out loud.

Then there was the heartbreaking monologue delivered by Virginia’s sister/Matilde’s employer, Lane (Andrea Irwin), when she learns that her husband is having an affair.  “This is how I imagine my husband and his new wife,” she tells us, as Charles (Neil Silcox) and Ana (Lilia Leon) twine lovingly on a riser* at stage left.      Matilde can see this vision.  “Who are they?” she asks Lane.  “Just my husband and the woman he loves,” Lane replies.  “Don’t worry, they’re only in my imagination.”

In Act II, Neil as the cheating hubby did a very funny striptease as he attempted to join ladylove Ana for a swim – he had not practiced removing all the necessary parts of his costume!  “Just take off the belt,” recommended director Ali.  So Neil whipped off his belt and flourished it dramatically, causing bloggergal and AD Nevada to dissolve into giggles.

Annemieke personified gleeful joy as she… – well, let’s just say she lets loose and does something quite out of character (but scripted) for clean-freak Virginia!

At one point, Lane and Ana were on the balcony, but missing a crucial prop.  Ali called backstage: “Neil, could you just run the fishbowl out?”  But he didn’t just bring the thing out and plunk it down, oh no.  He entered all bundled up in his costume for a later scene, making wind-whooshing noises, and delivered the bowl with another dramatic flourish.  More cracking up ensued in the audience; the actors displayed impressive focus and kept straight faces.

Director Ali Joy Richardson (centre – in dark sweater, back to camera) and assistant director Nevada Banks (left – in horse sweater) give notes to cast of “The Clean House” following March 21 stumble-through. L-R: Lilia Leon, Neil Silcox, Andrea Irwin, Marina Moreira, Annemieke Wade. Photo: Laura Jabalee Johnston.

A delightful taste of what’s to come – in 2-1/2 weeks!

In this script, playwright Sarah Ruhl is a master at making the audience snort with laughter one moment, and be on the verge of tears the next.

The Clean House by Sarah Ruhl runs April 7-22 at Alumnae Theatre.

See http://www.alumnaetheatre.com/the-clean-house.html for team bios and photos, and to purchase tickets.  Also visit the Facebook event: https://www.facebook.com/events/1301005259957126/

 

       *the riser is standing in tonight for what will become a balcony!

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Sitting in on rehearsal for “The Clean House”, March 5

Somewhat delayed post about the full-cast rehearsal of The Clean House that bloggergal watched on Sunday March 5.

In addition to the actors, director Ali Joy Richardson and stage manager Lizz Armstrong, Assistant Director Nevada Banks was there, and producer Laura Jabalee Johnston arrived later.

Scenes worked on included the serio-comic moment when workaholic doctor Lane (Andrea Irwin) confides to her sister Virginia (Annemieke Wade) that her surgeon husband Charles (Neil Silcox) is having an affair.  Lane also works up to firing her Brazilian housekeeper, Matilde (Marina Moreira), who doesn’t like to clean so much!

Rehearsal shot of Annemieke Wade as Virginia in “The Clean House”. Photo: producer Laura Jabalee Johnston

“Go with your instinct, and we’ll figure out optimum funny,” Ali directed actor Annemieke Wade (Virginia) on a bit of physical comedy.

There was a stumble-through of Act II scene 5 – “the longest scene in the play”, as Ali noted.   In this scene, Charles boldly brings his new “soulmate” Ana (Lilia Leon) to meet his wife.  Virginia and Matilde are there to witness the awkward encounter.

At one point, actor Andrea Irwin (Lane) requested guidance from director Ali Joy Richardson:  “Do you want me to freak out there, or hold the freak-out until…?”

We had a special guest at rehearsal:  Annemieke’s 11-month old daughter Vesper.  AD Nevada entertained Vesper in another room for the most part, but the baby got her on-stage moment in Scene 5.  Annemieke’s character Virginia is supposed to bring drinks for everyone, and Vesper played “the role of the serving tray”, in Ali ‘s words!

Photos of the action courtesy of producer Laura Jabalee Johnston.

Rehearsal shot – Matilde (Marina Moreira) watches as Charles (Neil Silcox) dances with Ana (Lilia Leon).
Photo: Laura Jabalee Johnston

The Clean House by Sarah Ruhl runs April 7-22 at Alumnae Theatre.

The web page http://www.alumnaetheatre.com/the-clean-house.html will be updated this week with team bios and photos, etc.  Also visit the Facebook event: https://www.facebook.com/events/1301005259957126/

 

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